Salutations, viewers.
Here we are, arrived at a new month, and Daylight savings time.
Do you know? I do not like Daylight savings time. I suppose Benjamin Franklin and George Vernon Hudson thought it would be jolly-good fun to tamper with time, and confuse people (which, when you think about it, does sound pretty fun), but does it not seem strange for a person to decide that time is suddenly not what it is for the sake of convenience? The Solemn Wood Nymph does not approve.
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Wednesday, October 31, 2012
Tuesday, October 30, 2012
Papillo-Luna
This is a photograph of my signature painting, Papillo-Luna (Butterfly-Moon). I'm keen on butterflies, so I quite enjoyed coming up with the design. I've done custom versions of it for various friends, and I even sold one, which made me prodigiously happy. It was then that I felt like a true artist for the first time.
Monday, October 29, 2012
Stars
Tonight, as I was out walking under the stars, I noticed a large, bright red sphere in the sky. I automatically assumed that it was a satelite, or some such thing, until it suddenly formed a downward arc, and vanished in a flame-like flash.
Apparently, there have been several meteor showers lately, resulting from the recent passing of Halley's Comet.
Falling stars I've seen in plenty, but I have never seen so large a meteor, and therefore was excessively diverted.
I continued walking, never taking my eyes off the stars, hoping to see more. The stars seemed especially bright tonight, flickering like candles in the vast expanse of sky. My eyes played tricks on me; every star seemed to move, and I would stare at them with all my might, expecting them to vanish at any moment.
A dozen references to the stars comes to mind at such times; John Keat's poem Bright Star, for instance - "Bright star, would I were steadfast as thou art; not in lone splendour hung aloft the night, and watching with eternal lids apart". Another would be the song Stars from Les Misérables. I could just hear Inspector Javert comparing the stars to sentinels, "filling the darkness with order and light". Yet another is a scripture in 1st Corinthians chapter 15 which says - Star differs from star in glory". Which is absolutely true. Though there is an inconceivable amount of stars, not one of them is quite the same as another.
Apparently, there have been several meteor showers lately, resulting from the recent passing of Halley's Comet.
Falling stars I've seen in plenty, but I have never seen so large a meteor, and therefore was excessively diverted.
I continued walking, never taking my eyes off the stars, hoping to see more. The stars seemed especially bright tonight, flickering like candles in the vast expanse of sky. My eyes played tricks on me; every star seemed to move, and I would stare at them with all my might, expecting them to vanish at any moment.
A dozen references to the stars comes to mind at such times; John Keat's poem Bright Star, for instance - "Bright star, would I were steadfast as thou art; not in lone splendour hung aloft the night, and watching with eternal lids apart". Another would be the song Stars from Les Misérables. I could just hear Inspector Javert comparing the stars to sentinels, "filling the darkness with order and light". Yet another is a scripture in 1st Corinthians chapter 15 which says - Star differs from star in glory". Which is absolutely true. Though there is an inconceivable amount of stars, not one of them is quite the same as another.
Wait and Hope
A brilliant writer by the name of Alexandre Dumas once said - "All human wisdom is summed up in these two words -- wait and hope".
How easy it is sometimes to despond; to sink beneath the burdens of sorrow; of loneliness; of illness; of self-doubt; of a sense that your life is not the life you'd planned.
In this world, these burdens are as quotidian as the air we breathe, and life rarely ever turns out as we plan.
As a young girl, my life-plan was concise, idyllic, and seemed only a breath away. I imagined that I would have an active social life, that I would attend a community college, get a pleasant little part time job, and pursue my religious goals, which are the most important in my life, and that I would eventually marry, have a couple of kids, and live a life of domestic bliss, caring for my family, and serving God.
However, my life, like so many lives, defied the plans that were made for it, and took an unforeseen, and much less desirable turn, and often, as I lay in my bed, unable to work, or drive, or go to school, unable by far to reach the goals I had set for myself, it is hard not to regret the life I had imagined, or to feel the weight of my lack of self-sufficiency.
While it is not always easy to "wait and hope", to do so is a wonderful solace. I truly believe that the world awaits a bright future, and that if one does what they can with the life they have, if they can rise above life's difficulties, to wait, and work hopefully for the brighter future at hand, then this is true strength.
How easy it is sometimes to despond; to sink beneath the burdens of sorrow; of loneliness; of illness; of self-doubt; of a sense that your life is not the life you'd planned.
In this world, these burdens are as quotidian as the air we breathe, and life rarely ever turns out as we plan.
As a young girl, my life-plan was concise, idyllic, and seemed only a breath away. I imagined that I would have an active social life, that I would attend a community college, get a pleasant little part time job, and pursue my religious goals, which are the most important in my life, and that I would eventually marry, have a couple of kids, and live a life of domestic bliss, caring for my family, and serving God.
However, my life, like so many lives, defied the plans that were made for it, and took an unforeseen, and much less desirable turn, and often, as I lay in my bed, unable to work, or drive, or go to school, unable by far to reach the goals I had set for myself, it is hard not to regret the life I had imagined, or to feel the weight of my lack of self-sufficiency.
While it is not always easy to "wait and hope", to do so is a wonderful solace. I truly believe that the world awaits a bright future, and that if one does what they can with the life they have, if they can rise above life's difficulties, to wait, and work hopefully for the brighter future at hand, then this is true strength.
Sunday, October 28, 2012
Madama Butterfly
As I was writing yesterday's post, I recalled that, a few years ago, after watching Madama Butterfly, I sent an email to a friend describing the plot in my idiosyncratically satirical style. I found the email, and, having laughed at my own snarkiness, I post it here for my lovely viewers to read, that they may share in my amusement.
Madama Butterfly begins with a silly man named Benjamin Franklin Pinkerton (B. F. Pinkerton for short *points at him and laughs*, who has decided that, since in Japanese law, at that time, you could leave your wife at any time and re-marry, he wants a temporary Japanese wife.
The silly "Japanese", *cough cough* money-hungry marriage broker Goro (which means 5) sets him up with Chou-chou-san (Miss Butterfly), a 15 year old ex-geisha. She is instantly disposed to love him, much to the chagrin of Pinkerton's older, wiser friend Sharpless, who warns him against his selfish actions, as he doesn't want the innocent young girl to get hurt. Pinkerton laughs him off saying that he will have his "Butterfly", even if he breaks her wings.
He then meets and marries Butterfly. After the ceremony, her uncle bursts in and starts shouting about how she is disowned because she converted to Pinkerton's religion, so her family and friends abandon her (all except her loving, faithful handmaid Suzuki), shouting angrily "Chou-chou-saaaan!" about 20 times, while she lays on the stage floor in a curled-up heap. Pinkerton orders them all out of his house, and comforts Butterfly, and she admits to being happy despite her family's cursings. Cue the famous love duet.
In act II, Pinkerton has been gone for 3 years, and Butterfly still thinks she's married. Everyone knows otherwise, including Suzuki, but Butterfly convinces her that he will come back, and for Butterfly's sake, she goes along with that theory.
The afore mentioned Goro tries to set her up with this hilarious looking noble who looks like a silly Feudal lord *points and laughs at him too*, making Butterfly very angry.
Sharpless pays her a visit, and is very distressed to see her in so much hope of Pinkerton returning (she's watched for his ship every day for three years), and gently suggests that she marry the other guy. She becomes angry at him too (the poor fellow), and tries to kick him out of her house. He apologizes for offending her, and shows her a letter that Pinkerton wrote him that says he is returning to Japan, and Butterfly is ecstatic.
The letter goes on to say that he doesn't want to see Butterfly, so she calls out to someone, and out comes the most adorable little blonde boy I've ever seen. Butterfly says that he is Pinkerton's son, who was born soon after he left, and asks Sharpless to write to Pinkerton, telling him of the child "who's name is Sorrow, but will be Changed to Happiness if his father returns". The little boy has no dialogue (since three year olds don't generally sing opera), but he doesn't need to; he's just cute.
Sharpless agrees to write, and does so. Pinkerton agrees to come, and Butterfly and Suzuki weep with joy, and decorate the entire house with flowers, and wait for him to come. Butterfly dons her wedding kimono, and waits up all night for him, and then in the morning, goes to bed.
In the morning, Sharpless arrives with Pinkerton, and...Pinkerton's American wife Kate. Suzuki cries bitter tears for her mistress, and starts to go wake her, but Pinkerton stops her. He weeps like a pansy, when he realizes that she's been waiting patiently for him these three years, and says that the flowers she strew about for him "poison his heart". He then says that he can't bear to stay there, and leaves.
Kate remains behind, waiting for Butterfly to wake up. When she does, it doesn't take her long to figure out who Kate is, and she cries passionately. Kate apparently feels sorry for her, and tells her in an apologetic tone that she is the innocent cause of her suffering. She then proceeds to say she and her husband (neither of whom the child has ever met) want to take him away to America and raise him themselves. That's the final straw for Butterfly, having first lost her husband, and now her beloved child. She tearfully says that they can take him, only if Pinkerton comes for him himself.
Kate then leaves, and Suzuki and Butterfly cry together. Suzuki offers to bring Sorrow to her, but she says to let him play, and tells Suzuki to join him. Suzuki guesses Butterfly's intentions, and begs to be allowed to remain with her, but she orders her away. She then goes to her room, and takes down her fathers knife with which he committed sepuku (suicide), and raises it to her neck, and then Sorrow comes running in. She quickly casts aside the knife and takes him in her arms, and begins singing to him a very emotional aria, asking him to forgive his mother's abandonment, and asks that he keep a faint memory of her face, and then tells him to go play. She goes over to him, hands him a toy, ties a blindfold over his eyes, and then hugs him one last time.
Then she returns to her knife, and as she hears Pinkerton coming up the hill calling "Butterfly!", she seizes her knife and stabs herself, leaving Pinkerton with his guilt and shame, and a little boy who would no doubt always remind him of his own folly, and the loving family he could have had. Foolish sap...
Haha, just a tad bit melodramatic, what? Most operas are; it's what makes them fun~
Madama Butterfly begins with a silly man named Benjamin Franklin Pinkerton (B. F. Pinkerton for short *points at him and laughs*, who has decided that, since in Japanese law, at that time, you could leave your wife at any time and re-marry, he wants a temporary Japanese wife.
The silly "Japanese", *cough cough* money-hungry marriage broker Goro (which means 5) sets him up with Chou-chou-san (Miss Butterfly), a 15 year old ex-geisha. She is instantly disposed to love him, much to the chagrin of Pinkerton's older, wiser friend Sharpless, who warns him against his selfish actions, as he doesn't want the innocent young girl to get hurt. Pinkerton laughs him off saying that he will have his "Butterfly", even if he breaks her wings.
He then meets and marries Butterfly. After the ceremony, her uncle bursts in and starts shouting about how she is disowned because she converted to Pinkerton's religion, so her family and friends abandon her (all except her loving, faithful handmaid Suzuki), shouting angrily "Chou-chou-saaaan!" about 20 times, while she lays on the stage floor in a curled-up heap. Pinkerton orders them all out of his house, and comforts Butterfly, and she admits to being happy despite her family's cursings. Cue the famous love duet.
In act II, Pinkerton has been gone for 3 years, and Butterfly still thinks she's married. Everyone knows otherwise, including Suzuki, but Butterfly convinces her that he will come back, and for Butterfly's sake, she goes along with that theory.
The afore mentioned Goro tries to set her up with this hilarious looking noble who looks like a silly Feudal lord *points and laughs at him too*, making Butterfly very angry.
Sharpless pays her a visit, and is very distressed to see her in so much hope of Pinkerton returning (she's watched for his ship every day for three years), and gently suggests that she marry the other guy. She becomes angry at him too (the poor fellow), and tries to kick him out of her house. He apologizes for offending her, and shows her a letter that Pinkerton wrote him that says he is returning to Japan, and Butterfly is ecstatic.
The letter goes on to say that he doesn't want to see Butterfly, so she calls out to someone, and out comes the most adorable little blonde boy I've ever seen. Butterfly says that he is Pinkerton's son, who was born soon after he left, and asks Sharpless to write to Pinkerton, telling him of the child "who's name is Sorrow, but will be Changed to Happiness if his father returns". The little boy has no dialogue (since three year olds don't generally sing opera), but he doesn't need to; he's just cute.
Sharpless agrees to write, and does so. Pinkerton agrees to come, and Butterfly and Suzuki weep with joy, and decorate the entire house with flowers, and wait for him to come. Butterfly dons her wedding kimono, and waits up all night for him, and then in the morning, goes to bed.
In the morning, Sharpless arrives with Pinkerton, and...Pinkerton's American wife Kate. Suzuki cries bitter tears for her mistress, and starts to go wake her, but Pinkerton stops her. He weeps like a pansy, when he realizes that she's been waiting patiently for him these three years, and says that the flowers she strew about for him "poison his heart". He then says that he can't bear to stay there, and leaves.
Kate remains behind, waiting for Butterfly to wake up. When she does, it doesn't take her long to figure out who Kate is, and she cries passionately. Kate apparently feels sorry for her, and tells her in an apologetic tone that she is the innocent cause of her suffering. She then proceeds to say she and her husband (neither of whom the child has ever met) want to take him away to America and raise him themselves. That's the final straw for Butterfly, having first lost her husband, and now her beloved child. She tearfully says that they can take him, only if Pinkerton comes for him himself.
Kate then leaves, and Suzuki and Butterfly cry together. Suzuki offers to bring Sorrow to her, but she says to let him play, and tells Suzuki to join him. Suzuki guesses Butterfly's intentions, and begs to be allowed to remain with her, but she orders her away. She then goes to her room, and takes down her fathers knife with which he committed sepuku (suicide), and raises it to her neck, and then Sorrow comes running in. She quickly casts aside the knife and takes him in her arms, and begins singing to him a very emotional aria, asking him to forgive his mother's abandonment, and asks that he keep a faint memory of her face, and then tells him to go play. She goes over to him, hands him a toy, ties a blindfold over his eyes, and then hugs him one last time.
Then she returns to her knife, and as she hears Pinkerton coming up the hill calling "Butterfly!", she seizes her knife and stabs herself, leaving Pinkerton with his guilt and shame, and a little boy who would no doubt always remind him of his own folly, and the loving family he could have had. Foolish sap...
Haha, just a tad bit melodramatic, what? Most operas are; it's what makes them fun~
Saturday, October 27, 2012
More World Market Wonders
As intimated in my previous post, I went back to World Market today. I do love that place, in spite of (or perhaps because of) its manifold temptations.
Today, I got Walker's raspberry shortbread cookies (Walker's is authentically Scottish, and is the last word in shortbread; by that, I mean they're amazing), Jammie Dodgers (which is raspberry flavoured plum jam "splodged" between two shortbread biscuits), and Sorini Italian chocolates in a tin printed with the vintage poster of one of my favourite operas - Puccini's Madama Butterfly.
The chocolates are fantastic, and the tin is lovely. See? Once I empty it of its contents, I shall probably use it as a storage tin, for letters, or some such thing.
I am currently enjoying my confectionery, whilst listening to Vogliatemi Bene, the ever-celebrated love duet from the same opera.
This puts me in mind of my dear friend Andrea. I took her to see Madama Butterfly at the Cascade Theatre a few years ago, and much did we enjoy it. I recall with amusement the pair of us snickering ruthlessly at "Benjamin Franklin Pinkerton", the leading man, who was more than a little ridiculous, and, weeks later, suddenly pointing at each other, singing "Cho-cho-SAAAAAAN!!!!!" in expostulating tones.
Today, I got Walker's raspberry shortbread cookies (Walker's is authentically Scottish, and is the last word in shortbread; by that, I mean they're amazing), Jammie Dodgers (which is raspberry flavoured plum jam "splodged" between two shortbread biscuits), and Sorini Italian chocolates in a tin printed with the vintage poster of one of my favourite operas - Puccini's Madama Butterfly.
The chocolates are fantastic, and the tin is lovely. See? Once I empty it of its contents, I shall probably use it as a storage tin, for letters, or some such thing.
I am currently enjoying my confectionery, whilst listening to Vogliatemi Bene, the ever-celebrated love duet from the same opera.
This puts me in mind of my dear friend Andrea. I took her to see Madama Butterfly at the Cascade Theatre a few years ago, and much did we enjoy it. I recall with amusement the pair of us snickering ruthlessly at "Benjamin Franklin Pinkerton", the leading man, who was more than a little ridiculous, and, weeks later, suddenly pointing at each other, singing "Cho-cho-SAAAAAAN!!!!!" in expostulating tones.
Friday, October 26, 2012
Hobnobs!
Being Britishly inclined, as I am, I have long wanted to taste McVities Hobnob biscuits, otherwise known as "builders' biscuits". This essentially British tea-time snack is not particularly easy to find here in the U.S., and so I despaired of ever getting to taste them, until it occured to me that I could purchase them online, imported from the U.K, along with many other delicious-sounding delicacies. The only problem with that is, that whilst they're rather reasonably priced, the cost of shipping is considerable. I related all of this to my mum, who had the brilliant thought: "Let's look at World Market".
What is World Market, you ask? It is a place of wonder and delight, containing art, food, fashion, and house-hold items from all over the world. It reminds me of the exhibitions that were so popular in the 19th century.
Anyways, my obliging mum took me there today while we were running errands, and, lo and behold, they did have my Hobnobs, and several other of the snacks I so much want to try, such as Jammy Dodgers, and Flake chocolate bars. I restrained myself, however, and stuck to the Hobnobs for now.
The thought crossed my mind once or twice: "What if I don't like them???" How dreadful that would be after my longing to try them, and my triumphant discovery.
Once I got home, I made myself a cup of English breakfast tea (you can't eat them with out tea; it's an unwritten law), and took out two of the crumbly biscuits...
And the package did not lie. They are oaty, they are nobbly, and I was, in fact, nobbled after one nibble. They're fantastic. It's lovely to have one's expectations met...
To celebrate this momentous (yes, I find it momentous) occasion, I am having a Pride and Prejudice marathon. I watched the new American Youtube series called The Lizzie Bennet Diaries which is a modernized version of P&P, and now I'm watching the 1940 version. After that, I shall watch versions 1980, 1995, and 2005.
Yeah... To each his (or her) own, right?
Nobbies~
What is World Market, you ask? It is a place of wonder and delight, containing art, food, fashion, and house-hold items from all over the world. It reminds me of the exhibitions that were so popular in the 19th century.
Anyways, my obliging mum took me there today while we were running errands, and, lo and behold, they did have my Hobnobs, and several other of the snacks I so much want to try, such as Jammy Dodgers, and Flake chocolate bars. I restrained myself, however, and stuck to the Hobnobs for now.
The thought crossed my mind once or twice: "What if I don't like them???" How dreadful that would be after my longing to try them, and my triumphant discovery.
Once I got home, I made myself a cup of English breakfast tea (you can't eat them with out tea; it's an unwritten law), and took out two of the crumbly biscuits...
And the package did not lie. They are oaty, they are nobbly, and I was, in fact, nobbled after one nibble. They're fantastic. It's lovely to have one's expectations met...
To celebrate this momentous (yes, I find it momentous) occasion, I am having a Pride and Prejudice marathon. I watched the new American Youtube series called The Lizzie Bennet Diaries which is a modernized version of P&P, and now I'm watching the 1940 version. After that, I shall watch versions 1980, 1995, and 2005.
Yeah... To each his (or her) own, right?
Nobbies~
Thursday, October 25, 2012
A Russian Beauty
Here's one of my recent sketches. I based it on a portrait painting I found on google. The painting is called A Russian Beauty, and was apparently painted by a fellow named Alexei Alexeivich Harlamoff, or so google tells me. The style struck me as being rather similar to Renoir. At any rate, the face fascinated me, and thus, I decided to try my hand at drawing it, and here's the result.
Wednesday, October 24, 2012
Sleep. It eludes me...
It appears that I shall pass another sleepless night. Which is unfortunate, because I enjoy sleeping, prodigiously. More's the pity...
On a side note, there are few sounds more detestable than that of a television resounding through one's wall when one wishes to sleep. Even when, I beg pardon, especially when the volume is not particularly high, and the sound buzzes, as it were, in an unpleasantly indistict fashion, which disturbs the ear as does an insect. Having remarkably good hearing has its disadvantages...
On a side note, there are few sounds more detestable than that of a television resounding through one's wall when one wishes to sleep. Even when, I beg pardon, especially when the volume is not particularly high, and the sound buzzes, as it were, in an unpleasantly indistict fashion, which disturbs the ear as does an insect. Having remarkably good hearing has its disadvantages...
Monday, October 22, 2012
Hail-storms and Rain
The weather report was correct for once; we did get the first rain of the season last night. Unfortunately, I was wearing earplugs, and didn't get to hear it. I did, however, get to experience the epic, marble-sized hail storm that occured today, complete with lightning, and doom-like thunder. I enjoyed it.
You might find it strange that I should be fond of storms; I don't entirely understand it myself. Approaching storms tend to make my head pound, and my muscles ache, and occasionally cause me to palpitate and pass out, and still, I love them.
Perhaps it's the general atmosphere, which is charged with energy, and a vague sense of power that seems to course through me, and makes me want to run (yeah right; as if I could). Despite my great antipathy against being wet and cold, I feel an overpowering urge to dash out the door whenever the wind picks up, and thunder resounds. Of course, I don't often indulge in this whim, since running out into a storm is generally considered a bad move, and the rational half of my brain prevails upon me to remain indoors.
Thank goodness for windows; I may at least look out at the storm raging without, and listen to the sound of the wind crying mournfully, setting whatever leaves remain on the trees aflutter, and watch the rain falling like a silver beaded curtain, occasionally illuminated by photograph-like flashes of lightning, which renders the sky a most undescribable shade of yellow-grey. Experiencing such storms is one of the great joys of life.
You might find it strange that I should be fond of storms; I don't entirely understand it myself. Approaching storms tend to make my head pound, and my muscles ache, and occasionally cause me to palpitate and pass out, and still, I love them.
Perhaps it's the general atmosphere, which is charged with energy, and a vague sense of power that seems to course through me, and makes me want to run (yeah right; as if I could). Despite my great antipathy against being wet and cold, I feel an overpowering urge to dash out the door whenever the wind picks up, and thunder resounds. Of course, I don't often indulge in this whim, since running out into a storm is generally considered a bad move, and the rational half of my brain prevails upon me to remain indoors.
Thank goodness for windows; I may at least look out at the storm raging without, and listen to the sound of the wind crying mournfully, setting whatever leaves remain on the trees aflutter, and watch the rain falling like a silver beaded curtain, occasionally illuminated by photograph-like flashes of lightning, which renders the sky a most undescribable shade of yellow-grey. Experiencing such storms is one of the great joys of life.
Sunday, October 21, 2012
October Pudding
This is my autumnal version of the classic bread pudding.
For those who are not familiar, bread pudding is sort of like baked French toast; very popular in Britain, and an excellent way to use up leftover bread.
Here's my recipe:
And here it is, served warm with seasonal pumpkin ice cream (at least autumn has some advantages, no?), perfect to eat on a chilly evening.
For those who are not familiar, bread pudding is sort of like baked French toast; very popular in Britain, and an excellent way to use up leftover bread.
Here's my recipe:
- 6 slices of toasted bread (I prefer oat-nut 3-seed)
- 1/4 cup sugar
- 2 tablespoons maple syrup
- 1/2 teaspoon allspice
- 1/4 teaspoon cinnamon
- 1/4 teaspoon nutmeg
- Pinch of cardamom
- Pinch of salt
- 2 eggs
- 1 3/4 cups scalded milk
- 1/4 cup softened butter
- 1 cooked apple, cubed
- 1/2 cup cooked butternut squash, cubed
- 1/4 cup chopped cashews
And here it is, served warm with seasonal pumpkin ice cream (at least autumn has some advantages, no?), perfect to eat on a chilly evening.
Chilly weather we're having, what?
It's very cold today. Not exactly breaking news, I know, but there it is. My cat and I are both wearing sweaters.
Yes, the cat has a sweater. She's very old, and gets cold easily, rather like myself. It is red, with shiny buttons, and she looks adorable in it.
I suppose you're imagining me struggling tooth and nail with an outraged feline as I force her into a tiny sweater, getting torn to shreds (both me and the sweater) in the process, but she was quite compliant, actually. And since she climbed into my lap and started purring as soon as I put it on her, I don't think she resents it too deeply.
The first big rain of the season is supposed to begin tonight. The weather report isn't exactly known for its reliability, but my pounding head seems to confirm it.
Fortunately, being a lady of leisure as I am (this is my glamourous way of saying I have no life), I am free to spend the day drinking hot beverages, and watching ridiculously old movies. Huzzah~
Yes, the cat has a sweater. She's very old, and gets cold easily, rather like myself. It is red, with shiny buttons, and she looks adorable in it.
I suppose you're imagining me struggling tooth and nail with an outraged feline as I force her into a tiny sweater, getting torn to shreds (both me and the sweater) in the process, but she was quite compliant, actually. And since she climbed into my lap and started purring as soon as I put it on her, I don't think she resents it too deeply.
The first big rain of the season is supposed to begin tonight. The weather report isn't exactly known for its reliability, but my pounding head seems to confirm it.
Fortunately, being a lady of leisure as I am (this is my glamourous way of saying I have no life), I am free to spend the day drinking hot beverages, and watching ridiculously old movies. Huzzah~
Saturday, October 20, 2012
Caffeinated Soliloquy
Do you know what I love? I love coffee, for it is fantastic.
If you're wondering about why I'm banging on about coffee, it's because that's what happens when I'm sleep deprived. I bang on about random things, and I think about how much I love coffee.
Sadly, caffeine does not make me less tired; I can drink a latte before bed, with no tragic consequences, but, I love it anyways.
I have made a sort of hobby out of trying new and unusual coffee flavours. Daring to be bold oft brings rewards. Peach lattes, for instance, are actually quite delicious, and grape is not as bad as it sounds. Alternatively, flavours such as gingerbread, creme de menthe, and guava are among the nastiest things I've ever tasted. Period.
For those who share my love of lattes, but don't care for the inflated prices, I seriously recommend an espresso maker. Mine has been quite invaluable, especially at 4:00 a.m. after a sleepless night, when the rapid consumption of strong coffee is imperative.
And now I've had done with my inconsequential little caffeinated soliloquy. I hope you enjoyed it.
If you're wondering about why I'm banging on about coffee, it's because that's what happens when I'm sleep deprived. I bang on about random things, and I think about how much I love coffee.
Sadly, caffeine does not make me less tired; I can drink a latte before bed, with no tragic consequences, but, I love it anyways.
I have made a sort of hobby out of trying new and unusual coffee flavours. Daring to be bold oft brings rewards. Peach lattes, for instance, are actually quite delicious, and grape is not as bad as it sounds. Alternatively, flavours such as gingerbread, creme de menthe, and guava are among the nastiest things I've ever tasted. Period.
For those who share my love of lattes, but don't care for the inflated prices, I seriously recommend an espresso maker. Mine has been quite invaluable, especially at 4:00 a.m. after a sleepless night, when the rapid consumption of strong coffee is imperative.
And now I've had done with my inconsequential little caffeinated soliloquy. I hope you enjoyed it.
Thursday, October 18, 2012
Books Read This Year
Similar to my previous post, I am also keeping track of what books I read, dating from June 16th of this year.
As the reader might have guessed from my first post, I'm terribly fond of The Scarlet Pimpernel by Baroness Emmuska Orczy. I read it for the first time last spring. Upon reading it, it became my new favourite, and therefore I was naturally quite chuffed to learn that there exists 10 sequels. My mum (who's a fan as well) and I have gotten through the first six books, and we're soon to begin the 7th one.
In general, I read very little from this country, and even less from this century. I started reading 19th century English literature in high school, and I've since preferred it over any other genre.
I also enjoy Japanese manga. I don't read it nearly as much as I used to, but I still quite enjoy it from time to time.
Aishiteruze Baby Vol. 1 *manga* {Yoko Maki} (2002)
An Old-Fashioned Girl {Louisa May Alcott} (1870)
Eight Cousins {Louisa May Alcott} (1875)
Rose in Bloom {Louisa May Alcott} (1876)
Lord Tony's Wife {Baroness Emmuska Orczy} (1917)
The Inheritance {Louisa May Alcott} (1849/1997)
Much Ado About Nothing *manga* {Emma Vieceli & Richard Appignanesi (adapted from Shakespeare)} (2009)
Much Ado About Nothing *manga* {Emma Vieceli & Richard Appignanesi (adapted from Shakespeare)} (2009)
Much Ado About Nothing *manga* {Emma Vieceli & Richard Appignanesi (adapted from Shakespeare)} (2009)
Twelfth Night *manga* {Nana Li & Richard Appignanesi (adapted from Shakespeare)} (2011)
Sir Percy Leads the Band {Baroness Emmuska Orczy} (1936)
The Scarlet Pimpernel {Baroness Emmuska Orczy} (1905)
I Will Repay {Baroness Emmuska Orczy} (1906)
The Way of the Scarlet Pimpernel {Baroness Emmuska Orczy} (1933)
The Elusive Pimpernel {Baroness Emmuska Orczy} (1908)
The Neverending Story {Michael Ende} (1979)
2012 Yearbook of Jehovah's Witnesses {Watchtower Bible and Tract Society} (2012)
Jane Eyre {Charlotte Bronte} (1947)
Jane Austen's Emma *graphic novel* {Jane Austen & Nancy Butler} (2011)
Jane Eyre *graphic novel* {Charlotte Bronte & Amy Corzine} (2008)
Shirley {Charlotte Bronte} (1849)
The Moth {Catherine Cookson} (1986)
The Silent Gondoliers {William Goldman} (1983)
Sir Percy Hits Back {Baroness Emmuska Orczy} (1927)
As the reader might have guessed from my first post, I'm terribly fond of The Scarlet Pimpernel by Baroness Emmuska Orczy. I read it for the first time last spring. Upon reading it, it became my new favourite, and therefore I was naturally quite chuffed to learn that there exists 10 sequels. My mum (who's a fan as well) and I have gotten through the first six books, and we're soon to begin the 7th one.
In general, I read very little from this country, and even less from this century. I started reading 19th century English literature in high school, and I've since preferred it over any other genre.
I also enjoy Japanese manga. I don't read it nearly as much as I used to, but I still quite enjoy it from time to time.
Aishiteruze Baby Vol. 1 *manga* {Yoko Maki} (2002)
An Old-Fashioned Girl {Louisa May Alcott} (1870)
Eight Cousins {Louisa May Alcott} (1875)
Rose in Bloom {Louisa May Alcott} (1876)
Lord Tony's Wife {Baroness Emmuska Orczy} (1917)
The Inheritance {Louisa May Alcott} (1849/1997)
Much Ado About Nothing *manga* {Emma Vieceli & Richard Appignanesi (adapted from Shakespeare)} (2009)
Much Ado About Nothing *manga* {Emma Vieceli & Richard Appignanesi (adapted from Shakespeare)} (2009)
Much Ado About Nothing *manga* {Emma Vieceli & Richard Appignanesi (adapted from Shakespeare)} (2009)
Twelfth Night *manga* {Nana Li & Richard Appignanesi (adapted from Shakespeare)} (2011)
Sir Percy Leads the Band {Baroness Emmuska Orczy} (1936)
The Scarlet Pimpernel {Baroness Emmuska Orczy} (1905)
I Will Repay {Baroness Emmuska Orczy} (1906)
The Way of the Scarlet Pimpernel {Baroness Emmuska Orczy} (1933)
The Elusive Pimpernel {Baroness Emmuska Orczy} (1908)
The Neverending Story {Michael Ende} (1979)
2012 Yearbook of Jehovah's Witnesses {Watchtower Bible and Tract Society} (2012)
Jane Eyre {Charlotte Bronte} (1947)
Jane Austen's Emma *graphic novel* {Jane Austen & Nancy Butler} (2011)
Jane Eyre *graphic novel* {Charlotte Bronte & Amy Corzine} (2008)
Shirley {Charlotte Bronte} (1849)
The Moth {Catherine Cookson} (1986)
The Silent Gondoliers {William Goldman} (1983)
Sir Percy Hits Back {Baroness Emmuska Orczy} (1927)
Movies Viewed This Year
Four months ago, I decided to keep track of all of the movies I watch in a year. Considering the length of my list so far, it seems I watch a great many...
I tend to go through short phases regarding the movie genres. Sometimes it's a Shakespeare kick, or a period drama kick, oldies, silent films, Broadway musicals, etc.
There are some movies on this list that don't seem to belong on it. This is either because I watched it at a friend's request, or because I quite suddenly had an inexplicable urge to watch a movie that I generally wouldn't care to watch. It happens...
So, this is what I've watched since the 16th of June.
Mansfield Park (2007)
Emma {Miramax} (1996)
Emma {A&E} (1996)
Emma (2009)
Northanger Abbey (2007)
Persuasion (1995)
Persuasion (2007)
Jane Eyre (1996)
Jane Eyre (2006)
Jane Eyre (2011)
Alice in Wonderland (2010)
Alice (2009)
Pippi Longstocking (1997)
Pride and Prejudice (2005)
Robin Hood (2010)
The Moth (1998)
Pride and Prejudice (2005)
Pride and Prejudice (2005)
The Rag Nymph (1998)
David Copperfield (1999)
David Copperfield (2000)
Persuasion (1995)
Little Dorrit (2008)
Our Mutual Friend (1998)
Anne of Green Gables (1934)
Anne of Green Gables (1985)
North and South (2004)
The Scarlet Pimpernel (1934)
The Scarlet Pimpernel (1982)
It Happened One Night (1934)
Cover Girl (1944)
Become Jehovah's Friend (2012)
My Six Loves (1963)
Some Like it Hot (1959)
The Green Promise (1949)
A Room With A View (1985)
A Room With A View (2007)
Gidget (1959)
Gidget Grows Up (1969)
Captain Scarlett (1953)
The Black Shield of Falworth (1954)
Come September (1961)
Much Ado About Nothing *play* (2011)
Much Ado About Nothing (1984)
Shakespeare Re-told Much Ado About Nothing (2005)
Shakespeare Re-told Much Ado About Nothing (2005)
Lucky 7 (2003)
With Honors (1994)
Miss Austen Regrets (2008)
Amazing Grace (2006)
Shakespeare Re-told Much Ado About Nothing (2005)
Alice (2009)
As You Like It (1978)
As You Like It (1939)
As You Like It (2006)
Twelfth Night (1980)
Twelfth Night (1996)
Shakespeare Re-told Much Ado About Nothing (2005)
Twelfth Night (1996)
Bye Bye Birdie (1963)
Son of Ali Baba (1952)
Something's Got to Give (1962)
I'll Be There (2003)
Free Style (2010)
Secrets of a Secretary (1931)
The Black Shield of Falworth (1954)
My Big Fat Greek Wedding (2002)
The Divorce of Lady X (1938)
Still Breathing (1998)
The Inspector General (1949)
An Ideal Husband (1999)
Tribute (2009)
Casanova (2005)
Twelfth Night (1996)
Midnight (1939)
27 Dresses (2008)
The Adventures of Robin Hood (1938)
Reaching for the Moon (1930)
Kandukondein Kandukondein (2000)
The Holiday (2006)
Princess of the Nile (1954)
The Demi-Paradise (1943)
Her Favorite Patient (1945)
Indiscreet (1931)
Storm in a Teacup (1937)
Double Exposure (1944)
A Bride for Henry (1937)
Three Guys Named Mike (1951)
Jewel of the Nile (1985)
40 Pounds of Trouble (1962)
The Rat Race (1960)
Boy On A Dolphin (1957)
Happy Landing (1938)
Son of Ali Baba (1952)
The Black Shield of Falworth (1954)
Some Like it Hot (1959)
The Rat Race (1960)
40 Pounds of Trouble (1962)
Aisha (2010)
Alice (2009)
The Big Sleep (1946)
Weddings Are Wonderful (1938)
Easter Parade (1948)
Royal Wedding (1951)
Easter Parade (1948)
Song of Paris (1952)
Stolen Assignment (1954)
Happy Go Lovely (1951)
Brigadoon (1966)
The Sheik (1921)
The Son of the Sheik (1926)
The Eagle (1925)
The Mark of Zorro (1920)
The Mark of Zorro (1940)
Zorro - The Bold Cabellero (1936)
Diamond Horseshoe (1945)
The Best Years of Our Lives (1946)
The Rage of Paris (1938)
Jump for Glory (1937)
Against All Flags (1952)
Yankee Buccaneer (1952)
Midnight Intruder (1938)
Love Affair (1939)
Woman Hater (1948)
The Perils of Pauline (1947)
The Lady Says No (1952)
Swing Hostess (1944)
Live a Little, Love a Little (1968)
Doctor in the House (1954)
The Son of Monte Cristo (1940)
The Secret of Dr. Kildare (1939)
Dr. Kildare's Strange Case (1940)
House of Danger (1934)
Shadows on the Stairs (1941)
The Inner Circle (1946)
Midnight Limited (1940)
Fun in Acapulco (1963)
I Cover the Waterfront (1933)
Borderline (1950)
Bulldog Drummond (1929)
Bulldog Drummond Strikes Back (1934)
Bulldog Jack (1935)
Bulldog Drummond's Revenge (1937)
Bulldog Drummond At Bay (1937)
Bulldog Drummond Comes Back (1937)
Bulldog Drummond Escapes (1937)
Bulldog Drummond's Peril (1938)
Bulldog Drummond in Africa (1938)
Arrest Bulldog Drummond (1939)
Bulldog Drummond's Secret Police (1939)
Bulldog Drummond's Bride (1939)
Pillow Talk (1959)
Hot Enough For June (1964)
Scarlet Angel (1952)
Despicable Me (2010)
Cover Girl (1944)
The Phantom of the Opera [French] (2004)
It Happened One Night (1934)
Woman Hater (1948)
House of Danger (1934)
The Lady Eve (1941)
Raffles (1930)
Adam and Evelyne (1949)
Adam and Evelyne (1949)
Dark Knight Rises (2012)
Woman Hater (1948)
Angels Over Broadway (1940)
Legally Blonde: The Musical *play* (2012)
Legally Blonde: The Musical *Broadway play* (2011)
Adam and Evelyne (1949)
Guys and Dolls *play* (2011)
Anne of Avonlea (1987)
Leap Year (2009)
The Englishman Who Went Up a Hill But Came Down a Mountain (1995)
Fruits Basket (2001)
Legally Blonde: The Musical *Broadway play* (2011)
The Decoy Bride (2011)
The Decoy Bride (2011)
Summer Stock (1950)
While You Were Sleeping (1995)
Much Ado About Nothing *play* (2007)
Shakespeare Re-told Much Ado About Nothing (2005)
Some Like it Hot (1959)
Easter Parade (1948)
The Mark of Zorro (1940)
The Rage of Paris (1938)
The Mask of Zorro (1998)
The Legend of Zorro (2005)
My Mom's New Boyfriend (2008)
The Sheik (1921)
The Mark of Zorro (1920)
The Princess Diaries 2: Royal Engagement (2004)
The Eagle (1925)
The Black Pirate (1926)
Robin Hood (1922)
Alice (2009)
The Son of Monte Cristo (1940)
The Big Steal (1949)
Bulldog Drummond (1929)
Living in a Big Way (1947)
Adam and Evelyne (1949)
Captain Scarlett (1953)
Easy Living (1937)
I'd Rather Be Rich (1964)
Love Me Tonight (1932)
No Man of Her Own (1950)
Ladies of Leisure (1930)
Girls About Town (1931)
The Gilded Lily (1935)
Ladies of Leisure (1930)
I'll Be Yours (1947)
His Butler's Sister (1943)
It Started With Eve (1941)
I'd Rather Be Rich (1964)
Thirty-Day Princess (1934)
Hairspray (2007)
She's the Man (2006)
Ladies of Leisure (1930)
The Scarlet Pimpernel (1934)
An American in Paris (1951)
Daddy Long Legs (1955)
Easy to Wed (1946)
Woman of Glamour (1937)
Calendar Girl (1947)
The Lucky One (2012)
Lois and Clark: The New Adventures of Superman - Season 1 (1993-1994)
Wedding Present (1936)
Strangers May Kiss (1931)
The Lucky One (2012)
Lois and Clark: The New Adventures of Superman - Season 2 (1995-1996)
Our Wife (1941)
Ball of Fire (1941)
The Scarlet Pimpernel (1982)
The Moth (1998)
The Rag Nymph (1998)
The Wingless Bird (1998)
The Young in Heart (1938)
Emma (2009)
Under the Greenwood Tree (2006)
Much Ado About Nothing (1984)
Beauty and the Beast (2007)
Victoria and Albert (2001)
The Young Victoria (2009)
One Night with the King (2006)
Esther (1999)
27 Dresses (2008)
Alice (2009)
The Scarlet Pimpernel *play* (2011)
The Scarlet Pimpernel *play* (2011)
Twelfth Night (1996)
The Scarlet Pimpernel *play* (2011)
The Phantom of the Opera at the Royal Albert Hall *play* (2011)
Les Misérables *play* (2011)
Les Misérables 25th Anniversary Concert *play/concert* (2010)
The Scarlet Pimpernel *play* (2011)
One Night with the King (2006)
Dr. Horrible's Sing-Along Blog (2008)
Victoria and Albert (2001)
Ball of Fire (1941)
Les Misérables *play* (2011)
The Legend of Zorro (2005)
The Lake House (2006)
Les Misérables 25th Anniversary Concert *play/concert* (2010)
Les Misérables 10th Anniversary Concert *play/concert* (1998)
The Scarlet Pimpernel *play* (2011)
Gambling Lady (1934)
More Than a Secretary (1936)
B.F.'s Daughter (1946)
Les Misérables 25th Anniversary Concert *play/concert* (2010)
Love Among the Millionaires (1930)
Mary Burns, Fugitive (1935)
The Amazing Mr. Williams (1939)
The Lone Wolf Returns (1935)
Ladies of Leisure (1930)
Les Misérables *play* (2011)
Love Me Tonight (1932)
It Happened to Jane (1959)
People Will Talk (1951)
Private Number (1936)
Magnificent Obsession (1935)
Thirty-Day Princess (1934)
Les Misérables 10th Anniversary Concert *play/concert* (1998)
Adam and Evelyne (1949)
The Scarlet Pimpernel (1934)
Pride and Prejudice (1940)
Pride and Prejudice (1980)
Les Misérables 25th Anniversary Concert *play/concert* (2010)
Pride and Prejudice (1995)
Koukou Debut (2011)
Kimi Ni Todoke (2011)
Pride and Prejudice (2005)
Seducing Mr. Perfect (2006)
Kimi Ni Todoke (2011)
Love You You (2011)
My Little Bride (2004)
Please Teach Me English (2003)
Mei-chan no Shitsuji (2009)
Lovely Complex (2006)
Love You Ten Thousand Years (2010)
100 Days with Mr. Arrogant (2004)
Tatta Hitotsu no Koi (Just One Love) (2006)
Sweet Relationship *series* (2007)
Monty Python and the Holy Grail (1975)
Kaichou wa Maid-sama! *series* (2010)
Les Misérables *play* (2011)
Wish to See You Again *series* (2007)
Shakespeare Re-told Much Ado About Nothing (2005)
Madagascar 3: Europe's Most Wanted (2012)
Alvin and the Chipmunks: Chipwrecked (2011)
Bambi (1942)
Flying With You [Taiwanese] (2012)
You're Beautiful *drama* [Korean] (2009)
Playful Kiss *drama* [Korean] (2010)
You're Beautiful *drama* [Korean] (2009)
Letter's to Juliet (2010)
Roman Holiday (1953)
The Tourist (2010)
Evelyn (2002)
Leap Year (2010)
Ondine (2009)
Aisha (2010)
Bride and Prejudice (2004)
Kandukondain Kandukondain (2000)
Blue Hawaii (1961)
Girls! Girls! Girls! (1962)
Waikiki Wedding (1937)
Mao's Last Dancer (2009)
Smile (2005)
Love You Ten Thousand Years (2010)
Step Up Revolution (2012)
Double or Nothing (1937)
East Side of Heaven (1937)
If I Had My Way (1939)
Here Come the Waves (1944)
Julie and Julia (2009)
The Englishman Who Went Up a Hill But Came Down a Mountain (1995)
I'll Be There (2003)
Les Misérables *play* (2011)
White Nights (1985)
Les Misérables 25th Anniversary Concert *play/concert* (2010)
Alice (2009)
The Phantom of the Opera at the Royal Albert Hall *play* (2011)
Much Ado About Nothing (1984)
Much Ado About Nothing (1993)
Much Ado About Nothing *play* (2011)
Much Ado About Nothing *play* (2007)
Shakespeare Retold: Much Ado About Nothing (2005)
The Taming of the Shrew (1967)
The Taming of the Shrew (1976)
Kiss Me Kate (1999)
10 Things I Hate About You (1999)
Shakespeare Retold: The Taming of the Shrew (2005)
The Taming of the Shrew (1976)
Shakespeare Retold: The Taming of the Shrew (2005)
The Three Musketeers (2011)
GoldenEye (1995)
White Nights (1985)
Fiddler on the Roof (1971)
Sense and Sensibility (1981)
Pride and Prejudice (1980)
Mansfield Park (1983)
Emma (1972)
Shakespeare Retold: Much Ado About Nothing (2005)
The Young Victoria (2009)
Northanger Abbey (1986)
Persuasion (1971)
Sense and Sensibility (1995)
Pride and Prejudice (1995)
Mansfield Park (1999)
Emma {Miramax] (1996)
Emma {A&E} (1996)
Persuasion (1999)
Sense and Sensibility (2008)
Pride and Prejudice (2005)
Mansfield Park (2007)
The Thin Man (1934)
After the Thin Man (1936)
Another Thin Man (1939)
Emma (2009)
Shadow of the Thin Man (1941)
Northanger Abbey (2007)
Libeled Lady (1936)
Persuasion (2007)
The Thin Man (1934) [French]
After the Thin Man (1936) [French]
Another Thin Man (1939) [French]
Shadow of the Thin Man (1941)
Sense and Sensibility (2008) [commentary]
Les Misérables *play* (2011)
The Phantom of the Opera (2004) [French]
A Good Year (2006)
Les Misérables (2012)
Pitch Perfect (2013)
27 Dresses (2008) [French]
The Adventures of Robin Hood (1934)
The Big Sleep (1946)
Breakfast at Tiffany's (1961)
Casablanca (1942)
Dark Passage (1947)
Funny Face (1957)
How to Steal a Million (1966)
Dinner at Eight (1933)
Libeled Lady (1936)
China Seas (1935)
Wife vs. Secretary (1936)
Lawrence of Arabia (1962)
Paris When it Sizzles (1964)
Pride and Prejudice (1940)
The Rage of Paris (1938)
Roman Holiday (1953)
Sabrina (1954)
The Sound of Music (1965)
The Thin Man (1934)
After the Thin Man (1936)
Another Thin Man (1939)
Shadow of the Thin Man (1941)
To Have and Have Not (1944)
The Young In Heart (1938)
Waikiki Wedding (1937)
Double or Nothing (1937)
Yeh Delagi (1990)
Jane Eyre *play* (2005)
Jane Eyre *play* (2000)
Jane Eyre (2006)
Jane Eyre (2011)
Jane Eyre *play* (2000)
Jane Eyre *play* (2000)
From Prada to Nada (2010)
Jane Eyre (1997)
Brigadoon (1954)
The Phantom of the Opera at the Royal Albert Hall *play* (2011)
Sabrina (1995)
Jane Eyre *play* (2000)
From Prada to Nada (2010)
Chocolat (2000)
Twelfth Night (1996)
Jane Eyre *play* (2000)
Sense and Sensibility (2008)
Libeled Lady (1936)
Easy to Wed (1946)
Jane Eyre *play* (2000)
Emma {Miramax} (1996)
Emma {A&E} (1996)
Ever After (1998)
GoldenEye (1995)
Indiana Jones - Raiders of the Lost Ark (1981)
Indiana Jones - The Last Crusade (1989)
The Inheritance (1997)
Jane Eyre (1996)
Mansfield Park (1999)
Persuasion (1995)
Thoroughly Modern Millie (1967)
Thoroughly Modern Millie *play* (2002)
The Pirates of Penzance (1983)
Pride and Prejudice (1980)
Jane Eyre *play* (2000)
Thoroughly Modern Millie (1967)
Pride and Prejudice (1995)
The Princess Bride (1987)
Sabrina (1995)
Sense and Sensibility (1995)
Strictly Ballroom (1992)
Superman (1978)
Superman II [Richard Donner cut] (1980)
The Three Musketeers (1993)
Twelfth Night (1996)
Jane Eyre *play* (2000)
White Nights (1985)
Yeh Dillagi (1994)
Jane Eyre *play* (2000)
27 Dresses (2008)
One Night with the King (2006)
Aisha (2010)
Alice (2009)
Emma (2009)
Jane Eyre *play* (2000)
Jane Eyre (1948)
Alice in Wonderland (2010)
Yeh Dillagi (1994)
Emma (2009)
Thoroughly Modern Millie (1967)
Bride and Prejudice (2004)
Chocolat (2000)
The Count of Monte Cristo (2002)
Crouching Tiger Hidden Dragon (2000)
Die Another Day (2002)
Emma (2009)
Evelyn (2002)
From Prada to Nada (2010)
Jane Eyre *play* (2000)
A Good Year (2006)
The Hitchhiker's Guide to the Galaxy (2005)
House of Flying Daggers (2004)
Hugo (2011)
Jane Eyre *play* (2000)
Jane Eyre (2006)
The Moth (1998)
Sense and Sensibility (1971)
Kate and Leopold (2001)
A Knight's Tale (2001)
Leap Year (2009)
Mansfield Park (2007)
Jane Eyre (1973)
Mao's Last Dancer (2009)
Music and Lyrics (2007)
Nicholas Nickleby (2002)
North and South (2004)
Cirque Du Soleil (2012)
Ondine (2009)
The Scarlet Pimpernel *play* (2011)
One Night with the King (2006)
Persuasion (2007)
Jane Eyre *play* (2000)
The Phantom of the Opera (2004)
Primeval Season 1 *series* (2007)
Annie (1999)
Primeval Season 2 *series* (2008)
Primeval Season 3 *series* (2009)
Primeval Season 4 *series* (2011)
Primeval Season 5 *series* (2011)
Alice (2009)
The Phantom of the Opera at the Royal Albert Hall *play* (2011)
Pride and Prejudice (2005)
The Proposal (2009)
Robin Hood (2010)
Sense and Sensibility (2008)
The Three Musketeers (2011)
The Tourist (2010)
The Young Victoria (2009)
Cirque Du Soleil (2012)
Primeval Season 1 *series* (2007)
Primeval Season 2 *series* (2008)
Primeval Season 3 *series* (2009)
Primeval Season 4 *series* (2011)
Primeval Season 5 *series* (2011)
Shakespeare Re-Told: Much Ado About Nothing (2005)
Shakespeare Re-Told: The Taming of the Shrew (2005)
Cover Girl (1944)
As You Like It (1936)
Princess of the Nile (1954)
Royal Wedding (1951)
Bachelor in Paris (1952)
Woman Hater (1948)
The Eagle (1925)
The Mark of Zorro (1940)
The Son of Monte Cristo (1940)
Hot Enough For June (1964)
The Secret of Dr. Kildare (1939)
Midnight Limited (1940)
Thrill of a Romance (1945)
House of Danger (1934)
Borderline (1950)
Jane Eyre *play* (2000)
I Cover the Waterfront (1933)
A Tale of Two Cities: Live in Concert *play* (2007)
A Tale of Two Cities: Live in Concert *play* (2007)
The Inner Circle (1946)
A Tale of Two Cities (1958)
Shadows on the Stairs (1941)
Bulldog Drummond (1929)
A Tale of Two Cities: Live in Concert *play* (2007)
Adam and Evelyne (1949)
A Tale of Two Cities: Live in Concert *play* (2007)
The Black Pirate (1926)
I'd Rather Be Rich (1964)
A Tale of Two Cities: Live in Concert *play* (2007)
A Tale of Two Cities: Live in Concert *play* (2007)
Love Me Tonight (1932)
Ladies of Leisure (1930)
I'll Be Yours (1947)
Thoroughly Modern Millie (1967)
The Scarlet Pimpernel (1982)
The Moth (1996)
The Rag Nymph (1996)
The Wingless Bird (1996)
Primeval Season 1 *series* (2007)
Primeval Season 2 *series* (2008)
Primeval Season 3 *series* (2009)
Primeval Season 4 *series* (2011)
Primeval Season 5 *series* (2011)
The Princess and the Pea (1984)
With Honors (1994)
Duel of Hearts (1991)
The Lady and the Highwayman (1989)
A Ghost in Monte Carlo (1990)
Much Ado About Nothing (1984)
A Room with a View (1985)
Twelfth Night (1988)
As You Like It (1978)
A Hazard of Hearts (1987)
The Phantom of the Opera (1962)
Alice (2009)
Much Ado About Nothing (1993)
The Taming of the Shrew (1976)
Kiss Me Kate *play* (1999)
Sense and Sensibility (1981)
The Return of the Scarlet Pimpernel (1937)
Persuasion (1971)
Emma (1972)
Northanger Abbey (1986)
Sherlock Holmes - A Game of Shadows (2011)
Midnight in Paris (2011)
Mansfield Park (1983)
The Pirates of Penzance (1983)
Sherlock Holmes - A Game of Shadows (2011)
A Tale of Two Cities (1980)
Jane Eyre (1973)
Sense and Sensibility (1971)
David Copperfield (1999)
Daniel Deronda (2002)
Under the Greenwood Tree (2006)
Kandukondain Kandukondain (2000)
A Room with a View (2007)
Lucky 7 (2003)
I'll Be There (2003)
Northanger Abbey (2007)
Our Mutual Friend (1998)
Victoria and Albert (2001)
Dr. Horrible's Sing-Along Blog (2008)
Kimi ni Todoke (2010)
Summer Wars (2009)
Kimi Ni Todoke Season 1 *series* (2010)
Kimi Ni Todoke Season 2 *series* (2011)
The Lady in the Water (2006)
Smiling Pasta *series* (2006)
My Fair Lady *series* (Lady Castle) (2009)
Innocent Steps (2005)
Shakespeare Re-Told: The Taming of the Shrew (2005)
Shakespeare Re-Told: Much Ado About Nothing (2005)
You're Beautiful (2009)
Jane Eyre *play* (2000)
Flying with You (2012)
You're My Pet (2011)
The Princess Bride (1987)
Moonrise Kingdom (2012)
Love in Disguise (2010)
Sabrina (1954)
Sabrina (1995)
Yeh Dilagi (1994)
Primeval Season 1 *series* (2007)
Primeval Season 2 *series* (2008)
Primeval Season 3 *series* (2009)
Primeval Season 4 *series* (2011)
Cirque Du Soleil: Worlds Away (2012)
I tend to go through short phases regarding the movie genres. Sometimes it's a Shakespeare kick, or a period drama kick, oldies, silent films, Broadway musicals, etc.
There are some movies on this list that don't seem to belong on it. This is either because I watched it at a friend's request, or because I quite suddenly had an inexplicable urge to watch a movie that I generally wouldn't care to watch. It happens...
So, this is what I've watched since the 16th of June.
Mansfield Park (2007)
Emma {Miramax} (1996)
Emma {A&E} (1996)
Emma (2009)
Northanger Abbey (2007)
Persuasion (1995)
Persuasion (2007)
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Summary of The Scarlet Pimpernel
Vital Stats:
Era: Georgian/French Revolution
Setting: England, and various parts of France
Protagonist: Sir Percival (Percy) Blakeney, Bart. otherwise known as The Scarlet Pimpernel, and the coolest person ever.
Siblings that require looking-after: Just his idiot brother-in-law Armand St. Just. He requires ALOT of looking after, poor sot.
Parentage: Brought up by an absentee father and mentally-ill mother (and he still turned out that well.)
Romantic interest(s): Marguerite St. Just, a former actress/gorgeous French woman whom he's desperately in love with. He also thinks she's a traitorous murderer, which puts a bit of a damper on their early married life.
Antagonist: Chauvelin, an itty-bitty Frenchie who loves death, and hates that Percy is so much bigger, smarter, and more awesome than he is. He enjoys trying to wreck Marguerite's life.
Assaults: Lots of decapitations (the French Revolution was no jolly-holiday), and some awesome swash-buckling on the part of Percy and his loyal band of men disguised as useless foppish idiots. Also, a certain Jewish merchant gets caned by Chauvelin's flunkies, but more of that later.
The story begins with some colourful descriptions of the Reign of Terror, which are not exactly pretty (it wasn't called the Reign of Terror for nothing).
Some of the revolutionists talk about the mysterious Englishman, The Scarlet Pimpernel, who's snuck countless aristocrats out of the country, just in the nick of time before they're guillotined. Since he's big, and clever, and a master of disguise, and outwits them frequently, they have an almost superstitious fear of him, which is kind of hilarious.
As they're talking, a creepy old woman comes to the gate in a covered cart. When they ask her what's in the cart, she says it's her grandson who has the plague (Oh, no, not the plaagguuuee!!), so they let her pass, only to find out a few minutes later that the "old woman" was the Scarlet Pimpernel, and the "grandson with the plague" was the De Tournay family, who were scheduled for execution.
The freshly-rescued De Tournay family (sans Papa De Tournay, who's still in France for now) arrive in England, escorted by the mysterious Scarlet Pimpernel and a couple of his merry men (no, not like Robin Hood).
Lord Antony (Tony) Dewhurst, who's sportish, and not too bright, but tons of fun, and Sir Andrew Ffoulkes, who's a tad bit more serious and intellectual, both of whom are fiercely loyal to their leader, bring the De Tournays' to a coastal inn called The Fisherman's Rest, where they generally bring their rescue-ees.
The owner of The Fisherman's Rest (named Mr. Jellyband, of all things), a true John Bull, apparently knows that Tony and Andrew are in league with The Scarlet Pimpernel, and is only too glad to assist them (in part, probably, because they're both ridiculously wealthy).
The Countess De Tournay starts banging on about how much she hates Marguerite St. Just, because she denounced the St. Cyr family, sending them to their deaths, apparently in cold blood.
Her little rant makes everyone a bit uncomfortable, for a couple of reasons. In the first place, Marguerite is the wife of Sir Percy Blakeney, who's more ridiculously wealthy than everyone else, close chum of the prince of Wales, the most popular man in London(The Scarlet Pimpernel), etc., In the second place, Marguerite is pretty popular in her own right, and in the third place, she and Percy are about to show up at the inn any moment.
When they do show up, Marguerite, unaware of the countess's antipathy towards her, is like "Ooh, French friends!" and flounces over to give hugs. Young Suzanne De Tournay, who went to school with Marguerite, still loves her despite the rumours against her, but Mama De Tournay is all like "I don't like the shape of your nose!" and drags Suzanne out of the room, much to the chagrin of Marguerite who didn't see that coming, and Sir Andrew, who's completely in love with Suzanne by this time.
In ambles Percy, looking like a fluffy idiot as usual (a most effective disguise, what?), and is accosted by the countess's short prig of a son, who decides it would be a good idea to fight a duel with Percy (who's twice his size at least) in honour of the ladies.
Percy stares down at him, blinks a few times, and is like "Um, go away? Sprechen sie English? What do you want, tiny man?" which the tiny man does not appreciate.
Tony and Jellyband convince him not to get killed, and Marguerite cracks a few jokes about how stupid and useless Percy is, and then goes off to find her brother, who's due to ship off back to France within the hour, which she's none too happy about.
As she wanders about on the cliffs in wait for him, we have it to understand that she didn't actually mean to send the St. Cyrs' to their deaths. It seems that her brother fell in love with the daughter, and Daddy St. Cyr didn't like that, and had him thrashed, so Marguerite (practically a mother to Armand, since they were orphaned as children), takes revenge by giving incriminating evidence against them to Chavelin, with the understanding that they'll be punished, but not killed, but Chauvelin, being a right and proper main antagonist, removes their heads anyways.
Percy, who was going to tell her about his secret identity after their marriage, finds out about the role she played in their denunciation, and since she doesn't feel like giving him the particulars, he naturally assumes that he's just married a cold-blooded, treacherous killer.
Although he still loves her in spite of her apparent guilt, he shuts her out completely, and is constantly off risking his neck in France, rescuing hundreds of victims in an attempt to atone for what she did, whilst making her think that he's a dim, effeminate twat, who only loves clothes and sports, which doesn't make married life very blissful for either of them.
After she sees her brother off, she runs into Chauvelin, and is sort of happy to see him, until he's like "Find me The Scarlet Pimpernel!" and she's like "NO, he's awesome!" and he's like "Oh, but I think you will", and she's like "Psht, whatever".
That night, while Tony and Andrew are discussing their leader's plans, a couple of Chauvelin's flunkies crawl out from under the tables, beat them over the head, and steal the letters they'd been perusing.
Some short time later, at the opera, Chauvelin pays a visit to Marguerite in her fancy, private opera box to tell her that one of the letters was from her brother Armand, proving that he's in league with The Scarlet Pimpernel, that the same S.P. is going to be at the ball that night, and that he's decided to use that tidbit of information to blackmail her, forcing her to discover and betray the identity of her hero, or have her brother's blood on her head.
After an unpleasant inner-struggle, Marguerite decides that she'd better save her brother, since he couldn't possibly save himself, and thus, at the ball that night, she does some impromtu spy-work, and discovers Sir Andrew about to burn a letter, evidentally from the elusive hero.
After using her acting skills to make him think she's about to faint, she snatches the half-burnt letter from him, holding it under her nose, as if it were some sort of restorative for her especial benefit, praising him for his quick thinking, and chaffing him in jest about his burning a love-letter from some random dutchess, while he stands there with a blank look on his face, trying to figure out how to get the letter back.
She knocks over a side-table (oops, *cough cough*), and while he's trying to clean up her mess, she reads what's left of the letter, finding that The Scarlet Pimpernel will be in the library at 1:00 a.m. (rich people liked late hours back then). After some more inner-struggle, she reluctantly relates that information to Chauvelin, who goes to wait in the library for his foe, but only finds the "idiot" Percy asleep on the sofa.
He seems satisfied, however, and leaves without bothering to tell Marguerite anything, much to her discomfiture.
On the way home, Marguerite remembers how masculine Percy used to be, and how much he used to love her, and wishes he'd go back to that persona.
When they get home, she stops him from going inside, and is like "So... love me?" and he's like "No, you're a murderer", and drops the idiot-act long enough to look angry, which isn't what she had in mind, but prefers this to the idiot-act
She proceeds to (finally) tell him the details of that incident, which clears her from blame, and tells him that Armand's life is in danger, and appeals to him to use his wealthiness to help him out.
Percy is obviously a bit staggered by her non-guiltiness, but is still too proud to throw himself at her feet, so he keeps up his coldness, though he does promise to do what he can for Armand.
After she goes inside, Percy, now finding it acceptable to love her as much as he does, her not being a ruthless killer and all, literally kisses the ground she walked on, which okay, is a little bit weird; but whatever.
Later that day, she notices that he's about to leave the country, and insists on knowing what he's up to. He somewhat reluctantly admits that he's off to help Armand, and they share an almost, somewhat tender moment before he dashes off to Calais.
After he leaves, Marguerite decides to snoop in his study, which she assumed he used expressly for napping in, and finds well-ordered documents, various signs of intelligent life, and... a ring bearing the seal of The Scarlet Pimpernel.
That afternoon, while Marguerite is puzzling her poor little brain about whether her husband is The Scarlet Pimpernel, or just got himself a similar ring because he thinks he's cool, Suzanne De Tournay comes to hang out, and talk about her engagement to Sir Andrew Ffoulkes.
While Marguerite is thus pondering, Suzanne starts going on about how The Scarlet Pimpernel left for Calais that day to save her daddy, and Marguerite decides that she can safely assume that Percy is The Scarlet Pimpernel, which on the one hand is fantastic, since her hero happens to be her husband, and on the other hand is terrible, since she betrayed him to his mortal enemy.
To make matters worse, she receives the incriminating letter about her brother from Chauvelin, which means that he knows for sure who The Scarlet Pimpernel is, spelling doom for her husband, whom she's completely in love with now. Poor girl...
So, she sends Suzanne home, and dashes off to Sir Andrews house, where she grabs him by the shoulders, and pretty much says "I know that my husband is The Scarlet Pimpernel and that you're in league with him; I betrayed him last night, but I don't actually want him to die, as a matter of fact, I love him, so take me to France, so I can save him, or die with him". To which Andrew is like ". . .WHAT?" He sees that she's sincere, however, and decides to help her.
Together, they go to The Fisherman's Rest, Andrew disguised as her lackey, in order to charter a boat to France.
Jellyband and his daughter naturally assume that Marguerite and Sir Andrew are eloping, which they don't like very much, since they're pretty fond of Percy and his ridiculous wealth.
Sir Andrew tries to subtly persuade them by dint of hinting about Percy that this is not the case. "Sir Percy is pretty awesome, what? Yep, gotta love that Percy..." Which seems to lessen their qualms a bit.
After several torcherous hours of waiting for the weather to clear up so they can get a boat, they finally set off for France...but so does Chauvelin.
When they get to France, Marguerite is appalled by the effects of the Reign of Terror, which was rather less terrifying on the other side of the Channel.
Sir Andrew takes her to an inn (of sorts) owned by a gruff, smelly Frenchman named Brogard who likes to curse and spit. Things Brogard hates: aristos (aristocrats), English people, and clergymen.
They nonchalantly ask if he's seen their tall, well-dressed English friend, and after some more spitting and cursing, they're able to get out of the fellow that the tall fancy Englishman had stopped by his inn, and was due back for dinner.
Sir Andrew pays Brogard to let Marguerite hide in the loft where she can keep her eye out for him, and then goes off to look for him himself.
Before long, Chauvelin appears at the inn dressed as a clergyman. This is upsetting to Marguerite, because he's trying to kill her husband, and upsetting to Brogard because he hates clergymen.
Brogard's issue is soon settled, however, when Chauvelin reveals himself to be a member of the all-powerful "Committee", and Chauvelin comes in, and makes himself at home, after assigning his men to patrol the streets for a tall Englishman in disguise.
Just as Chauvelin sits down to a bowl of soup, in strolls the tall Englishman, not in disguise, ironically singing "God Save the King".
Chauvelin is so taken-aback by this audacity, that he chokes on his soup. Percy pretends to be sorry, and talks about what a "nasty, awkward" thing soup is, and offers the comforting thought that he once had a friend who choked to death on soup.
He then goes on to banter impertinantly in his usual, affected drawl, prattling on about pointless things, which confuses Chauvelin, who knows who he is, and knows that he knows that he knows who he is, but he figures his men will be back at any moment, and then he'll finally have captured his foe! Bwahaha!
While Chauvelin is pondering over his dastardly schemes, Percy puts pepper in his snuff box, and casually offers Chauvelin a pinch (snuff is finely-ground tobacco you snort up your nose), which he takes, and you can imagine the result. While Chauvelin is thus indisposed, Percy nonchalantly flounces out of the inn.
A few minutes later, they seek a Jewish merchant named Reuben Goldstein to rent a horse and cart to take them to a certain hut on the the sea cliffs, where, presumably, The Scarlet Pimpernel's men were stashing Armand St. Just and the Comte De Tournay until he could finish his rescue and hie them off to England.
They do not find Goldstein, but they do make the acquaintance of a different Jewish merchant named Benjamin Rosenbaum.
They offer him a choice: either he can take them along the road up the sea cliffs and help them find the tall Englishman and earn himself some money, or he can refuse and loose his head. After not much deliberation, he decides on the former course of action.
So, off they go, and Marguerite, who'd been watching all this from the loft, scurries after them on foot, maintaining a close, though unnoticed distance, no easy task for a delicate damsel, not used to any sort of exercise more strenuous than dancing.
So, they find the hut, and Chauvelin tells his flunkies not to bother with anyone else, but to stand guard and wait until Percy shows up. He then ties up Rosenbaum, and deposits him nearby.
Marguerite, who'd been hidden until that point, goes dashing toward the hut to warn the men, but a couple of Chauvelin's men throw her to the ground.
Chauvelin tells her that if she tries anything funny, he'll order his men to shoot her brother and the other fellows in front of her, which she'd really rather not have happen, but when Percy's voice is suddenly heard nearby singing "God Save the King" again, she freaks out, and runs screaming toward the hut to tell Armand to fire, and Percy to run for his life.
They gag her, and storm the hut, but no one's there; nothing but a slip of paper from The Scarlet Pimpernel with instructions for the men to meet him at a different hut.
You see, Chauvelin had told his men to stand still until Percy showed up, and so they just stood there while Armand, De Tournay, and the other blokes went out the back, and took a row boat out to sea, to Percy's ship, The Daydream, which had been waiting for them.
Chauvelin is naturally a bit nettled by this, but since he can't very well punish his men for extreme obedience, he decides to settle his nerves by beating Rosenbaum half-to-death, and leaves him and Marguerite on the cliff while he and his men go off in search of the other hut that the letter referred to, assuming he can still catch Percy.
Marguerite is pretty sure she's going to die there, until she suddenly hears Percy talking to himself at a near distance. She goes running about to look for him, but the only other person there is the Jewish merchant...
...And it's Percy~ Marguerite is all "Yay!" and he's like "Let's 'yay' after you untie me, hm?"
He then explains that he knew that Chauvelin would be tracking him, so he figured he may as well just take him along with him, by "renting them" the horse and cart. And then, when he was tied up, he managed to scribble out instructions for them to go to the ship, and the fake instructions for them to leave in the hut, and crawl up to the hut and slip the notes into them through a chink in the wood, because he is that cool. And then, he let Chauvelin's men beat him, and leave him there, so that he could stay with Marguerite.
Sir Andrew then shows up, right on schedule, to accompany them to The Daydream, and is very pleased to see them both alive and well, having been a trifle anxious on that point.
After Percy and Andrew banter about Percy's weird costume, Percy carries Marguerite almost half a league along the side of a cliff, despite having been beaten savagely, and tied up in an uncomfortable position for hours. Because he's cool.
The story concludes with their return to England. Suzanne gets her daddy, Sir Andrew gets Suzanne, and Percy and Marguerite get a marriage based on mutual love and trust, now that he no longer thinks she's a murderer, and she no longer thinks he's an idiot.
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